Sustainability is the hot word in ecologically-sensitive circles these days. But what does it really mean in architecture? Since sustainability has become a buzzword, it is now commonly used to indicate anything with an intent to be more ecological than the business-as-usual alternative. We prefer a more literal reading: a building is sustainable if its existence contributes to ecological well-being–it sustains life–not just that it’s less harmful.
Yet buildings, beyond their operational impacts, participate in complex systems such as material extraction, transportation, power distribution, and water treatment, so sustainability (relative to impacts from these systems) is extremely hard to measure, and therefore hard to objectively claim. The environment, like the body, is resilient and can withstand some shock and toxicity; but too much over a long period can be detrimental, leading to decline and even collapse.
Clearly buildings need to minimize negative impacts and maximize benefits. Loosely ranked, the most important impact categories are:
As we have pursued eco-friendly design over the past 20 years at TBDA, we have worked to clarify an appropriate design process and evaluation. As a result, we have identified three pillars that support our pursuit of sustainability: Energy, Materials, and Biophilic Design, and we use these to evaluate our work.
Given that we are now a predominantly urban society, and that we spend typically over 90% of our time indoors, the performance of the built environment is paramount to our ability to survive and thrive. Only a few hundred years ago, with the population a tenth of what it is now and the majority of the population rural, our impact on the environment was much smaller. We didn’t give enough credence to the way we got into the habit of using toxic materials and processes. Now, with our giant industrial presence, we can look at sustainability as a binary proposition: we either build sustainably, or we decline. We either create a healthy ecosystem, or we will put ourselves on the endangered species list.
Architecture by itself can’t be purely sustainable–it needs to be part of a web of sustainable human systems in harmony with the earth’s ecosystems. So, in our time, sustainable architecture must aim to support such a system, and architects must help create that vision, along with urban planners, scientists, and artists.
One thing that sustainability is NOT is a look or a style. Ecological work must be part of its ecosystem, so it varies by place, by biome, by culture. The greatest sources of inspiration come from natural organisms and from early vernacular builders, who could only build from the resources at hand.
While we’ve depleted many of our original local resources, we have surrounded ourselves with other resources, including existing buildings. Some of our lowest embodied carbon projects are retrofits, in which we turned old buildings into new Passive buildings, keeping most of the original structure. In our new buildings, we specify carbon-sequestering insulation systems such as straw and cellulose to create highly insulated, carbon-negative thermal envelopes.
Another thing sustainable architecture is NOT, especially in a cold climate, is a concrete, steel, and glass building. Or even a very glassy building. Architects fell in love with glass boxes in the 1950s and beyond, as we started ignoring vernacular forms (inherently more passive) and started using tons more energy to heat and cool these flimsy things. Additionally, glass is very energy intensive to make, a double whammy. We aim to use glass mindfully, creating great natural light and views while maintaining adequate overall insulation levels; this becomes part of the biophilic strategy as well.
There are some great places to look for contemporary inspiration: ILFI’s Steven Kellert Biophilic Design Awards, and AIA’s COTE Top Ten awards. These programs recognize projects that are on the front edge of sustainable architecture.

If you’d like to start a sustainable architecture project, please contact us today.